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[EPIC] What is your most difficult challenge that you’ve had to overcome?
Battling an affliction since forever. Overcoming it again and again and again. While physically draining, it has led to a spiritual and artistic rebirth. After moving back down South, I had an experience that allowed me to see things clearly, in focus for the first time. My artistic vision went from three strip Technicolor to a Fuji 70 mm print.

[EPIC] If you were to give yourself a headline, what would it be?
Well I’d have to consider using 3 or 4 because I’m not just one thing, but I’d pick from these stakes that I’ve put in the ground:1) form follows emotion: if you don’t feel it, if you can’t give it your passion, the end product will most likely suck. or 2) verve and swerve: if i can’t do the project with passion and originality; if it doesn’t have a beat i can dance to, or the audience can click with-- screw it. the end product is likely to be white noise. it’s the enzo philosophy; it’s the bmw philosophy—i’m not putting my name on the mediocre. life’s too short. ordinary is about the worst thing you could ever do in this business. i’ve never understood how so many creatives can accept the ordinary. this is particularly true of office environments—no one wants to take a stand, and fight for the extraordinary. or 3) i think i’m turning japanese: staff and colleagues always refer to me as “zen” or “coach” or “professor” as my approach is sort of yin-yang. through the juxtaposition of contrary forces, i can focus on quality, purity, and honesty, producing a reductivist-minimalism whenever possible. within the context of painting, that gets stretched a million ways but i’m guessing you’ve noticed how a lot of my paintings have an underlying design structure.

[EPIC] What advice would you have for students starting out today?
Do it now. Whatever it is. Repeat. Now. Do it right fucking now. You only have so much time before your shelf life expires. We are expecting greatness from you. Act and perform like a professional if you want to be one.

[EPIC] What interests do you have outside of your work? Painting: it's my work and play. Finding Love. God. Great food. Beauty.Tomorrow.

[EPIC] Where do you seek inspiration? I’m letting it find me. To not be influenced by books, magazines, movies or popular culture. To just be. And when inspiration strikes, it feels natural.

[EPIC] How do you try to get the most production and imaginative work from your studio team?
It took me a lifetime to learn how to be a decent Creative Director. It happened for me when I realized I have only one task—my job is to inspire. And I’ll go to any extreme to do it. Collectively what does my group love? What generates positive energy? If it’s the beach? Pack it up folks-- daytrip! We’re going diving for pearls today, but what it’s really about is cutting up during the drive, plain silliness sometimes to get out of our own heads, rediscover one another and dream about what the project could be if we were being paid a million bucks, then we’ll speculate on what we’d do if the job was pro bono. I have another weird thing I do to get them to FEEL: Become the target. Assimilate the target audience in every way you know how according to demographic data. Pretend you are them. What makes them tick? Create that dialogue in your head–you’ll know the second it gets interesting. That’s the sweet spot…deliver on that. Nine times out of ten they will. The minute you begin to micro-manage a designer you’ve begun to kill his/her spirit. Do it too much and they’ll check out. Maybe not physically, but they will leave you and your direction in spirit so to speak. Hire wisely, (personally I love hiring teams of two. Pair a designer with a writer do your spiel, and get the hell out of their way. Give ‘em enough rope

 

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artist direct sales / ideas@frankford.com / (318) 834 4539

 

 

—> artist direct sales / ideas@frankford.com / (318) 834 4539

 

artist direct sales / ideas@frankford.com / (318) 834–4539

[EPIC] What inspired or motivated you into your career?
The love of food. I was hungry. Literally. I could not pay the bills and eat. Iwas going nowhere slow in the fine art world. While working at NOMA and Arthur Roger Gallery as a recent BFA graduate, it became painfully obvious I needed more marketable skills. Technology was quickly coming around the bend. I took some computer classes and happened to hit it off with an Apple Representative who hired me soon thereafter. All of a sudden I was immersed into this very new, very strange world of computer graphics and I loved it. I attended all the training and workshops and certification sessions I could, hanging out with these brilliant people, realizing the future was here for any artist who would dare abandon turpentine for Digital Darkroom 1.0. During this time I also lost my father. It was time to reevaluate my entire existence. I was lost without a compass in a huge dark forest.

I remember the exact day, where I was and what I was doing when it really clicked in my head, when it felt like a calling—I was killing time in the library, grabbed several big books on modern art, sat down on the floor right there in the aisle for hours consuming every color plate as though I was seeing television for the first time. I was blown away. My mind and my heart finally felt something. And it hit me like a ton of bricks…I fell in love with all things art, visual design and architecture. On the way home I stopped at the record store for something new and a similar thing happened. I discovered The Talking Heads…“take me to the river, wash me in the water” within the course of a single day I’d been baptized into a revolution. And it was: punk rock, art rock, Schnabel, Basquiat and Warhol. That blip, it had a positive energy to it—and I’m a sucker for positive energy in art and in people

 

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[EPIC] What would be your dream assignment?
One million dollars to make the opening credits for a movie. If that movie involved DeNiro, Scorcese, or Francis Ford Coppolla I’d do it for free. So much love for Coppolla—he battled an affliction, prevailed, followed his dream and never quit.

[EPIC] What is your work philosophy?
I have a phrase I use with my interns and workshops: “Be a sponge. Not a rock”

[EPIC] Who is or was your greatest mentor?
Valicenti, Jaeger, DeWitt and Raushchenberg

[EPIC] Who were some of your greatest past influences?
Past, Present or Future there will never be another Bob Raushchenberg. I learned more from him than anyone, or any school. He took a sincere interest in me the way most wouldn't.

[EPIC] Who among your contemporaries today do you most admire?
Can I pick someone in music? Because I love music so much I’d say it’d have to be a relatively new newcomer Lou Doillon. There is an edge to this woman that just makes my motor run (and I mean that in a NC-17 sorta way) from the way she dresses, her low key approach, the edge she’s put on her voice, the raw emotion of her poetry, her imperfect perfectness and her strength. My God, former supermodel of France shucks it all, bound and determined to make a name in rock and roll and she's doing it for me in a big way. I love Keith Richards in a similar way. He’s what–seventy-something, yet bangs those 5 strings with a twang that most people with 6 strings can’t. I’ve always been a sucker for the underdog and for the rebel. The fighters. I asked my film maker/writer friend Cary Di Cristina once: what is my brand? I can brand everyone else but an extreme makover for myself,I've never given it much thought. And it's infinitely more useful and valuable to hear this sort of thing from a colleague whom you trust. Cary said immediately–dude. you're a fighter. Strategic thinkers like Cary. Thinkers. Doers. Those not satisfied with the ordinary? I admire them the most because they seek the same thing i do–innovation for the new/new thing.

—> artist direct sales / ideas@frankford.com / (318) 834 4539

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[EPIC] Who have been some of your favorite people or clients you have worked with?
Mick Jagger, These Peaches singer/songwriter Rich Klevgard, Writer and Film Maker Cary Di Cristina. Lastly but certainly first Toshiaki Ide.

[EPIC] What are the most important ingredients you require from a client to do successful work?
Trust me to be relevant to your business. Invite me to all the meetings big or small. The more I learn about you, the better the delivery. Let’s do a field trip if possible—I’m not sure I’ve ever had an idea worth a shit inside 4 walls.

[EPIC] What is the greatest satisfaction you get from your work?
Making something out of nothing. Similar to the what an architect or carpenter must feel when they've witnessed final production of their vision.

[EPIC] What part of your work do you find most demanding?
The networking/sales.Ugh—I like being social, meeting new people and partying but I simply can't get to everything. When I have become active in sales pursuits I've noticed my intuition, creativity...well the entire right side of my brain wants to shut down. After a few weeks it's like having to learn how to walk again. It's the critical part of my business though. It can't go unattended so I work with an agent. She really keeps me together and has been a strong asset to me and to my bottomline.

[EPIC] What professional goals do you still have for yourself?
I’m ready to show the world that the same success I’ve had in design I will achieve in the fine arts. The days of “emerging artist” are past—I’ve just now hit my stride. I’m rockin now like never before, cranking paintings almost everyday. I’m driven for my work to be in the right collections, galleries and museums.

 

 

 

 

introverts / 25 portraits of the coolest babes working today

a large series of silver metallic image design work titled "introverts"
here are 25 cropped thumbnails

[EPIC] Where do you see yourself in the future?
I’m laser focused in getting my work placed in significant collections. I strive to improve with each work and feel like I’m ready to bust out. I think my work is perfect for Gagosian or Lehmann Maupin galleries. I won’t ever stop until I’m in MoMA. Even then, i won't stop. ¶